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250 x 180 mm,62頁/pages
彩色數碼印  colour digital print
騎馬訂裝   saddle-stitched

語言 LANGUAGES  //  日、中文  Japanese、English
出版日期 PUBLICATION DATE  //  2006年
出版社 PUBLISHER // 京都國際藝術研究中心 International Research Center for the Arts Kyoto(京都 Kyoto)

限量200本  /  Edition of 200




All items from the artist’s wardrobe are reinserted into market circulation by means of a mail-order magazine. Product placement, styling and the language of fashion turn history, memory and wear back towards the anonymity of manufacturing processes and design detail.

Items were sold and/or given away to customers on the same terms they were originally acquired, and participants were asked to photograph themselves with their new purchase.


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Elaine W. HO works between the realms of time‐based art, language, and urban practice, using multiple vocabularies to explore the micropolitics, subjectivities and alter-possibilities of an intimate, networked production.
The act of describing takes on a number of forms—a kind of grammar, a documentation, a gesture, a biography—or an experiment in Beijing known as HomeShop. She is the initiator of the artist-run space, active from 2008-2013, and continues to ask questions about the sociopolitics of syntax, more recently via print, pirate broadcast and as co-conspirator with Display Distribute, a networked research platform investigating bottom-up organisation amidst global trade (2015-ongoing).
She likes to drink coffee and tea mixed together and is a frequent contributor at www.iwishicoulddescribeittoyoubetter.net.


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