Description
一場層次豐富的實驗：涉及熱帶藝術地下出版物、集體化文化生產、解放生產方式、創造平等獲利機會(不同於文化流水線生產的剝削制度)，以及通過村社工業印刷以及Xerox施樂印刷機所實現的殖民地自治。
這期出版物介紹了十位來自菲律賓藝術家的zines（也叫「lathalas」）他們是：柯茹·卡馬拉、詹姆·瑪格巴奴阿、查理斯·撒拉扎爾、約瑟夫·帕斯酷阿爾、苔彌·大衛、扎·克里斯托弗、肯·庫尼施、埃德雷茨·桑拉普、馬克·阿熱伯樂達、阿爾弗雷德·馬拉斯甘。
A layered experiment in tropical art samizdat, collectivized cultural production, liberating the means of production, creating equal profit opportunities (alternatives to exploitation in the cultural assembly line), and in decolonisation via cottage industry print and Xerox.
This publication features zines (also known as ‘lathalas’) by ten artists from the Philippines: Cru CAMARA, Jem MAGBANUA, Charles SALAZAR, Joseph PASCUAL, Tammy DAVID, Czar KRISTOFF, Ken KUNISHI, Edreec SANGLAP, Mac ARBOLEDA, Alfred MARASIGAN.
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本雜誌由『文化設計辦公室』（OCD）旗下的出版分支「明明可以靠顏值吃飯還這麼勤勞肯幹」出品。自2010年12月以來，THE OCD已經成為匯集藝術家、設計師、作家和項目的一個平台，主要研究發展中國家問題的解決方案。2013年他們開始經營「明明可以靠顏值吃飯還這麼勤勞肯幹」以印刷或它種形式來鞏固他們的（以及其他人的）實驗成果。
Published by Hardworking Goodlooking, the publishing branch of The Office of Culture and Design (The OCD). Since December 2010, The OCD has functioned as a platform for artists, designers, writers, and projects that investigate solutions primarily for developing world issues. In 2013, they opened Hardworking Goodlooking, a publishing, and design studio, to consolidate the results of their experiments—and the experiments of others—in print and other formats.
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