最近的八卦
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“Pick of the Day”
Display Distribute pop-up in Brooklyn, NY, in cohorts with Bungee Space, Canal Street Research Association, 劉菲 Fei LIU, and Jen LIU
(13 May 2026年5月13日，19:00-21:00 UTC-04)
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pop-up at Anarchist Book Fair
RedBookCase Library, Chiangmai
(20-21 February 2026年2月20-21日）
第五期《『目錄』》出爐，曼谷藝術書展（2025年12約5-7日）
launch of 『CATALOGUE』No. 5 at Bangkok Art Book Fair (5-7 December 2025)
OTHERWISE DISPATCH #002: One By One, Together, Apart, and Distributed 到達 arrives at Greylight Projects for “Supporting Acts”
(November 2025年11月)
OTHERWISE DISPATCH #001: HQL-662 到達 arrives at Winona for “Fronts(c)”
(June 2025年6月)
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pop-up at 日惹藝術書展 Yogyakarta Art Book Fair
(2-4 May 2025年5月2-4日)
On view from May 2024 at the Seoul Museum of Art “Future Orientations” Archive:
Display Distribute reads for MOVING and HUSTLING
Movements make and break worlds. This fluctuation is what some would call economy, for better or worse. They are relations and circulations—sometimes vicious, like defense spending and imperialist occupations; at other times counter-hegemonic, aiming to tip scales of inequality; and, perhaps most often, simply a-meal-a-day—the motions of merely trying to survive. All are place-based, specific, and mark sociopolitical relations on maps that we hope to bend and reconfigure.
Our work is often fluid, hard to track, and cross-border. Next to smugglers, migrant workers, and wanderers, we carry our bodies and other goods as an exercise in economy and geography. Global logistics is one manifestation of that (as we have all experienced during pandemic slow-downs), but so are the small-scale movements of knowledge sharing, mutual support, and following in the footsteps of coincidence.
This varied collection of recommendations from Display Distribute co-conspirators hopes to move similarly: under-recognised, sometimes lonely, but not without great and lofty ambitions. Whether picking up temp work all across China, Southeast Asia, or the United States, while hungry in Japan, or amidst a forlorn departure from Hong Kong, all of these publications speak of movement and parallel flows of economy through various aesthetic and narrative lenses. Making and breaking worlds. So let slow-down be a call for these worlds-in-print to occupy us differently, from the trees to the paper and all the stories contained therein. A luta continua!
- 《孤獨的美食家 Solitary Gourmet》；QUSUMI Masayuki + 谷口 ジロー TANIGUCHI Jirō
- 《我在北京送快遞》；胡安焉 HU Anyan
- 《The Word for World is Still Forest》; a paginated exhibition co-edited by Anna-Sophie SPRINGER + Etienne TURPIN
- 《Acts of Departure》； edited by 何穎雅 Elaine W. HO with contributions from KAYFA-TA
- 《绝情种 Cold Hearted》；陳嘉露 CHEN Jialu
- 《Art, Engagement, Economy》； Caroline WOOLARD
- 《DISHWASHER: One Man’s Quest to Wash Dishes in All Fifty States》； Pete JORDAN
- 《盜亦有道 Theory of the Fake》； Ackbar ABBAS recommended by “The Orphaned Objects”
2024年2月度最佳慢遞員 COURIER-of-the-MONTH !
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