iwishicoulddescribeittoyoubetter

$300.00

規格 SPECIFICATIONS //
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250 x 180 mm,62頁/pages
彩色數碼印  colour digital print
騎馬訂裝   saddle-stitched

語言 LANGUAGES  //  日、中文  Japanese、English
出版日期 PUBLICATION DATE  //  2006年
出版社 PUBLISHER // 京都國際藝術研究中心 International Research Center for the Arts Kyoto(京都 Kyoto)

限量200本  /  Edition of 200

Description

藝術家衣櫥里的所有東西都出現在郵購雜誌上,重新回到市場交易中去。植入廣告、造型設計以及時尚語言通過生產過程和設計細節的匿名性,變成了長久的歷史、記憶和穿著痕跡。

賣出或者贈送給顧客的服飾單品都保有著它們剛入手時的本來面目,同時要求這些參與者拍攝穿戴著他們新獲得的衣物的照片。

All items from the artist’s wardrobe are reinserted into market circulation by means of a mail-order magazine. Product placement, styling and the language of fashion turn history, memory and wear back towards the anonymity of manufacturing processes and design detail.

Items were sold and/or given away to customers on the same terms they were originally acquired, and participants were asked to photograph themselves with their new purchase.

 

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作為一名時基藝術、語言以及都市實踐工作者,何穎雅的作品常藉著運用多維度的藝術詞彙,探索在現代社會中,人、空間和組織與日常生活之間微觀政治的纏綿關係。
這樣的描述行為有多種形式:一種語法,一份記錄,一個手勢,一部傳記——又或者是一個在北京的實驗,『家作坊』。這個由她發起並由藝術家運營的空間活躍於2008年至2013年。何穎雅不斷追問社會政治體系的句法,目前是通過獨立出版,海盜電台,以及作為『展銷場』的同謀來研究自下而上的社會組織與「低端全球化」。
何穎雅平日好飲鴛鴦。
Elaine W. HO works between the realms of time‐based art, language, and urban practice, using multiple vocabularies to explore the micropolitics, subjectivities and alter-possibilities of an intimate, networked production.
The act of describing takes on a number of forms—a kind of grammar, a documentation, a gesture, a biography—or an experiment in Beijing known as HomeShop. She is the initiator of the artist-run space, active from 2008-2013, and continues to ask questions about the sociopolitics of syntax, more recently via print, pirate broadcast and as co-conspirator with Display Distribute, a networked research platform investigating bottom-up organisation amidst global trade (2015-ongoing).
She likes to drink coffee and tea mixed together and is a frequent contributor at www.iwishicoulddescribeittoyoubetter.net.

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